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Rock 'n' Roll Arithmetic
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Along that same vein (sorry for the lack of originality, I have a killer sinus headache):
Hysteria + Motor City/ David Jones0 -
might I buy vowel?
hint please0 -
Mustang_Susie wrote: »Along that same vein (sorry for the lack of originality, I have a killer sinus headache):
Hysteria + Motor City/ David Jones
Wasn't Hysteria a Def Leppard album?
Motor City has to be Detroit.
David Jones wouldn't be the same guy from the Monkeys would he?
Where does that get us?0 -
Mustang_Susie wrote: »Along that same vein (sorry for the lack of originality, I have a killer sinus headache):
Hysteria + Motor City/ David Jones
Wasn't Hysteria a Def Leppard album?
Yes it was but it's a clue to a word in the song title
Motor City has to be Detroit.
Correct for word in song title
David Jones wouldn't be the same guy from the Monkeys would he?
Nope, but Davy Jones is the reason this artist took a different stage name
Where does that get us?
Hints: recently departed- January 2016
He uses the Bo Diddley beat in this song
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David Bowie? But can't get the song!!0
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Panic in Detroit from Aladdin Sane / David Bowie?1
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SOoooooo cheated
penalty boxed1 -
I wouldn't know any of them without "research".
Go ahead somebody. (Assuming it is right.)
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kcdambuster wrote: »
I wouldn't know any of them without "research".
Go ahead somebody. (Assuming it is right.)
You assumed correctly
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1
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I believe the floor is open.
Anyone have a new problem for the weekend?0 -
How about a disco tune I just heard at number two on the 01/22/1977 AT40 countdown?
Delta Alpha Zulu Zulu + third little pig =[band/song]0 -
I know. Never heard of either band or song, but I'm not going back in already.0
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Correct band. Go for it Susie.0
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Dazz Band/ Brick
Remember hearing that song on the transistor radio when I was a kid.
So, along that vein (again)...
What the sun does every morning/ Instrumental by Trumpeter
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Rise by Herb Alpert
Now along those lines...
Orville Redenbacher + 100 degrees + Land O' Lakes = [song/group]1 -
Unrelated but a good read for this group.
http://www.history.com/this-day-in-history/carole-king-has-her-first-1-hit-as-a-performer
June 19, 1970
Carole King has her first #1 hit as a performer
Carole King began her career in music as a young newlywed and college graduate, working a 9-to-5 shift alongside her then-husband, Gerry Goffin, in Don Kirshner’s songwriting factory, Aldon Music. It was there, working in a cubicle with a piano, staff paper and tape recorder that she co-wrote her first hit song (the Shirelles’ “Will You Love Me Tomorrow,” 1960), her second and third hit songs (the Drifters’ “Some Kind Of Wonderful” and Bobby Vee’s “Take Good Care Of My Baby,” both 1961), her 14th and 17th hit songs (the Chiffons’ “One Fine Day,” 1963, and Herman’s Hermits’ “Something Tells Me I’m Into Something Good,” 1964) and so on and so forth. It was not until 10 years after her songwriting breakthrough, however, that Carole King finally fulfilled her long-held dream of having her own hit record as both singer and songwriter. On June 19, 1971, she earned her first #1 single as a performer with the double-sided hit “It’s Too Late/I Feel The Earth Move.”
King’s hit single came from one of the best and most popular albums of the singer-songwriter era—an era that Carole King helped usher in. Tapestry was a milestone not only for Carole King, but for women in rock and roll in general. As the critic Robert Christgau put it: “King has done for the female voice what countless singer-composers achieved years ago for the male: liberated it from technical decorum. She insists on being heard as she is…with all the cracks and imperfections that implies.” On the heels of Tapestry‘s success, up-and-coming solo female performers like Carly Simon and Rickie Lee Jones found an easier path to popularity, and the great Joni Mitchell entered the period of her greatest commercial success.
The success of Tapestry and Carole King’s first #1 single launched her career as a solo performer, but a look around the pop charts of 1971 reveals just how big a force she remained behind the scenes. Among the artists who earned #1 pop hits that year, Tony Orlando and Dawn, Rod Stewart, Isaac Hayes, George Harrison and Paul McCartney all recorded a Carole King song at one point in their careers, and Donny Osmond and James Taylor owe their only chart-topping 1971 hits (“Go Away Little Girl” and “You’ve Got A Friend,” respectively) to her songwriting talents.1
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